173 Royalty-Free Audio Tracks for "Pitch Shift"

A drumsequence for breakdowns or interludes with a lot of effects in it. If u like this, also have a look at my tunes: http://soundcloud. Com/beverlyhillsboy cheers!.

Swelling ambient sound. Could be used for ambient sounds in an industrial setting. Source sounds:washing machine pitch shifted by 6 semi tones then slightly stretchedeq applied accenting low endreverbcompression with a ghost snare side chained to it to create the swell. Enjoy.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

I used this sample that i uploaded http://www. Freesound. Org/people/thejack288/sounds/236814/and made several processing : reverb, pitch shifting, delaying, etc using the plug in "ambient".

This is a transformation of the original recording https://freesound. Org/people/pinehadmz/sounds/369501/. For week 10 "musical piece" assignment for the audio signal processing for music applications online class. There are three layers, panned in stereo. Each syllable of each layer was randomly pitch shifted to a note in the minor scale using the harmonic plus stochastic model. Each harmonic track was thickened with extra harmonics during the synthesis process too to make it extra weird.

I call this my flash boom. It's a sub plus a pitch shifted snare that i created on my track "a flash of light by the shore" use it to create dynamics on a hit or whatever you want. Give a shout out to stark for machines and have fun! :). - chris.

Created only with audacity and magix. A few sawtooth waves with slow tremoloand a lot of high pass filtering and pitch-shifting. I added filtered pink noisefor the background noise and to make it sound more naturel.

Various exclamations and electronic speech patterns, improvised using wavetable synthesis and envelope modifcations, with random pitch shifts and vowel/consonant/exclamatory sounds coming through the droid speak.

A solo violin sample from edirol orchestral was used a base, using pitch bend and then layering against pitch shifted copies of the original. Then lots and lots and lots of reverb and maybe other effects. I spent way too long on this for no certain outcome but actually it was perfect for the radio drama i was theoretically producing it for.

Sound of a sci-fi plasma gun/cannon made by layering several bass-heavy sounds and pitch-shifting them together with applying noise and some reverb.

A magical dreamlike background effect created from various twinkles, and wind chimes found on this site using cc0. Original effects were reversed, pitch-shifted, slowed down etc. . Used as background for a production of a midsummers night dream.

Metal tank, rubbing it with a metal stick. Lot of pitch shift,time stretch and modulation.

This is a variation on a guttural growl i made to depict some giant bears in power armour. I recorded myself with a zoom h1 and then fiddled with pitch shifts etc to get to this big cat noise (well, that was what i was aiming for).

Ticking sound from a mid-century phinney-walker small wind-up alarm clock. Clock is worn and has subtle unevenness. Loopable for tempo, but you might be able to tell where the cut is because of pitch shift.

A laser noise created for my science fiction sitcom. The base was just a note from a vst synth (i can't remember which) and then a variety of pitch shifts, time stretches and layers of reverb until it sounded right.

One of around eight effects created for a production of "a tale of two cities"recording of purpose built model guillotine chopping a mixture of veg. 4 mics were used 1 from top, a couple at the bottom and an attached pzm. Result was pitch shifted down.

A natural poot (fart) with a more or less linear shift from higher to lower pitch. Processed with audacity for a more consistent tone and volume.

Stinger like sound effect which could be used for impact-horror scenes in which something outside the usual morality or humanities have occured. Made from pitch-shifted glass clinking, layering & stereophonic delay.

A bassy, wobbly sound effect that can be used for sci-fi weapons and such, created by overlapping pitch-shifted bass synthesizers and adding distortion and drums.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

I copied the gem breath sound effect from the original ex and pt tv series. I modified a noise i made with phaser. I had accidentally not known that i should set the pitch-shift in delay to off.

An abstract sound created with bosca ceoil and audacity. The sound has been pitched shifted repeatedly. It is noise, but hopefully you'll find it to be a pleasant sort of noise. If memory serves, some forms of (non-audio) computer data can produce sounds like this if imported into an audio processor.

Sound of two knife edges scraping together. I slowed it down in adobe audition and used pitch shift to make it deeper sounding, like a sword being drawn. Enjoy! it's free!!.

Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.

I rapidly pressed the fast forward and reverse buttons on a little cassette recorder while it was playing an old radio show from the 90s. One of the first fx recordings i ever did. Recorded with a samson c03u microphone, no processing.

Horror birds - morning birds recorded with h2n, cloned to 4 tracks in audacity, pitch shifted by various amounts and one of the tracks paul-stretched and sped up. Mixed down but then removed lower frequencies (wind or traffic rumble became too noticeable). Normalized. Here's the result.

Made with audacity using pitch shift to lower the percussion sounds i took from fl studio and added three times with the "small room (dark)" plugin in the "reverb" effect. Feel free to use, but please use my name in your description for credit!.

Done by sound forge fm synthesizer. Basically four added sine waves, each has some percentage of self-modulation(feedback). The sound effects chain applied over the initial sound is: reverb, chorus, upward compression(sound forge wave hammer), pitch shift(down) and finally vibrato, to simulate a varying speed tape machine.

A space-like sound. I imagined it as an airlock seal engaging in outer space, and the overwhelming sense of isolation through a shifting 8k tone. Believe it or not, i generated this sound not for battlestar galactica, but a courtroom scene on a play i designed the sound for.

A meaty glass impact with some cracks forming afterward. Perfect sound for when the glass object breaks, or is nearly broken by some heavy metal object. Made by hitting a porcelain plate with a metal spoon, then crushing up some aluminium foil and ice chunks in my hand. The sound files were then pitch shifted and merged in audacity.

A simple mouse click from the logitech g302. Recorded in audacity using the blue snowball, then trimmed and fine-tuned. Timbre did some remixes, so if you want some variance, there ya go. Https://freesound. Org/people/timbre/sounds/397926/(you can also pitch shift this sound but that's a little bit more effort).

Recorded myself beatboxing at 87 beats per minute. I did three layers, then copied the whole thing, pitch shifted it and put it back in. Enjoy! use for whatever you like. This was just an experiment, so i didn't use a click track. Apologies for any timing issues.

Electrical hum created by my guitar lead resting on the table top while connected to a line 6 box going into my laptop. The line 6 software was also giving it lots of 'cavernous hall' reverb. Quite stereo too. It is a g as far as i can tell but slightly sharp so try shifting the pitch to get it in tune with other instruments.

This sound is actually a voice stretched and processed until you hear dinosaurios. Along with multiple flanges & phasers & pitch shifts & compression. The voice is from an episode of cyanide & happiness "señor clean first" when she say 'hey what the hell man. '. Hilarious.

Monster noises made using heavy granular synthesis, formant and pitch-shifting on a female voice.

Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.

In the book of revelation the lamb of god opens the seals to reveal the four riders of the apocalypse. In turn each calls "come and see" voice recorded with voice recorder on android cell phone and processed/layered 4 times using pitch shift in audacity. This is myself doing some voice acting for my music projects.

In the 14th century the bubonic plague descimated the population of europe. Men would push around carts collecting the corpses and shouting to bring out your dead for disposal. Recorded on android cell phone voice recorder. Processed with noise removal and slight pitch shift in audacity. This is myself doing some voice acting for my music projects.

Sounds like the uplift to the drop of an edm track, but can also be used as a firework sound effect, or for a bomb dropping. Created using a low-passed square wave, over-compressing it, distorting it, playing 2 notes a semitone apart and pitch shifting.

A cataclystic, "buildup" sound effect resulted from extreme manipulation from two digital audio workstations - fl11 and reaper. The base sample was a public domain sound of a roland d50-esque sounding element which was heavily edited using volume-scaled automation, reverberation, pitch-shifting, transpositioning and trimming audio.

A guitar through defective self-modulating delay. The time potentiometer went "bad" after years of hard twisting and abuse, and now it warbles and pitch-shifts on it's own. It's very temperamental, though. The pedal is a johnson "ead-2 analog echo delay". May be useful for an outro or something! let me know if you use it, i'd love to hear the results!.

This is the second of two fx i've posted of the beast i used for beauty and the beast in our theatre. I was having a terrible time finding a good sound so i just pitch shifted my own voice down an octave. This is the second where the beast is panting just before his second entrance. The other one is 3 growls (and one meow) of the beast. Enjoy. Kp.

This is a classic theta brainwave entrainment sound made by two sine waves. The pitch shifts gently to produce some slow variation of the actual speed of the pulse. You can use it as a track and add voice (like relaxation or visualization), or just use as is to promote deep relaxation or trance. The pulses are about 8 hz (cycles per second).

Create dĩa bay dừng lại sound from sieuamthanh’s «dia bay" sound. Audacity:. - cut from 0. 000s to 0. 500s. - copy. - create→add new→stereo track. - paste in new track. - effect→sliding time scale/pitch shift (repeat 4 times)initial temp change (%): 0final temp change (%): -90.

A silly sound effect i made as a bit for a video: https://youtu. Be/79miczyt7w4?t=233i layered a digital glockenspiel midi track over the following sounds:https://freesound. Org/people/maximbomba/sounds/432139/https://freesound. Org/people/xenonn/sounds/128296/also pitch-shifted them a bit. If you can find some use for this, go ahead!.

An attempt to make an entire drum kit using only cymbal sounds. Cymbals were pitch-shifted, compressed, equalized, and subjected to other effects in order to make them capable of filling the roles usually occupied by actual drums. Hear them in action: https://soundcloud. Com/sonic_kitchen/amc001-cymballistix.

Theme old bombtimer :. Production steps:i record the sound of a book falling on the floor. I copy the sound impact 8 times on the same track. At the end « i fade in closing ». On another track, i copy the first track. I displace this second track on the right with « time shift tool », it creates a shift. I change the pitch of this track with a percent of change of -47. On a third track i take another recording sound of a key knocking on metal. I copy this sound 8 times and put a « fade out » on all the third track. I shift the track to begin at 1sec. Description:this sound look like to an old bomb timber. There is two different sounds one look like a heartbeat and the second a clock ticking. It creates a very stressful sound because of the progressive amplification. The bomb will explode soon and we need to hurry to defuse it. Typologie de schaffer :. Masse: son cannelétimbre harmonique: éclatantgrain: itérationallure: mécaniquedynamique: graduelleprofil mélodique: ascendantprofil de masse: dilatation.

This is the original 8-second drum loop that i ran through akaizer for my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise. As you can hear from my other uploads, the results are so different it's almost unrecognizable. Definitely worth trying yourself!.

This is the unprocessed version of my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Enjoy :).

This is a tune i've made out of a short saxophone riff (using edirol orchestral vst) which i've pitch shifted and reversed and reverbed and stuff and i think it sounds a bit 80s and very much like background music for some sort of tv program or film with spying or detectives or ghosts or possibly straight horror.